Just as J.S. Bach was inspired and sustained by his Lutheran faith, Wolfgang Amadeus Mozart drew upon Freemasonry to create his masterpieces, suggests Jacques Henry. Building a strong case, Henry explores works like The Magic Flute to show how Mozart constructed his compositions by creating auditory correspondences to the symbols present in the rituals, choosing keys and tempos that transpose their content into harmony. In doing so, Mozart was able to create music that leads listeners into a harmony that transcends earthly existence.